Ashland, Oregon at the Oregon Shakespeare FestivalNapoli Milionaria! by Eduardo De Filippo, new translation by Linda Alper & Beatrice Basso Set in Naples during and immediately after World War II, De Filippo's play chronicles the evolution of a law-abiding, religious family into a group of survivors.  No, they're more than simply survivors. The mother's black-market sale of rationed foodstuffs and luxuries eventually provides her and her family millions of lire which both stuff the mattress and move the family away from their traditional life and makes them a success story. But, this black comedy was written to allow only a partial wealth-induced happiness. The story [...]

Ashland, Oregon at the Oregon Shakespeare FestivalRoom Service by J.R. Sullivan Grade B fluff.  Pure and simple farce done well that offers no redeeming social value or entertaining special spark. This revival of a 1937 work continues Oregon Shakespeare's puzzling determination to have an annual comedy about a play within a play. This year's offering is well executed, but hasn't the timing fun of Noises Off  and is otherwise pedestrian and predictable. At least it isn't as leaden as last year's The Royal Family. The cast is credible and does a fine job.  Chris DuVal as the young playwright gets to [...]

You can't get creepier or more intentionally evil than James Newcomb's Richard III.  In the audience you sit in your comfortable chair, secure inside the upper-class white-bread theater, and still shiver when his dangerous glance comes your way.  The full review

Oregon Shakespeare Festival is at its best when they do an old chestnut in a way that makes you wonder if they haven't rewritten it to make it more contemporary.  Their production of George Bernard Shaw's 1893 The Philanderer has me downloading the play from Project Gutenberg.  It's a pleasant task. The full review

Ashland, Oregon Opening Weekend of the Oregon Shakespeare FestivalBy the Waters of Babylon by Robert Schenkkan This two-person play commissioned by OSF and written for its stars, Catherine Coulson and Armando Duran, has everything: flawless and inspired acting, cogent story, Deep Meaning, well-weaved metaphors, balance, nuance, comic relief,  dense but flowing dialog, character transformation, and, well, what did I leave out? Unfortunately, something is left out, but damn if I or others in the post-show crowd could put our fingers on it. The full review