“Once on This Island” at OSF
It was good to be back in the Bowmer Theater to for a fun evening that is full of energy, good singing, lively movement, and entertaining and meaningful music. Ozdachs' rating is 4 stars out of 5.
It was good to be back in the Bowmer Theater to for a fun evening that is full of energy, good singing, lively movement, and entertaining and meaningful music. Ozdachs' rating is 4 stars out of 5.
unseen has too many themes, too many possibilities, and too many symbols to be either fun or worthwhile. It's a well-meaning piece with two fine actors, and you will discuss your ideas about how to improve it. But, overall, it's only 2 stars out of 5.
A Midsummer Night's Dream written by William Shakespearedirected by Joseph Haj Ashland, ORat the Oregon Shakespeare Festival A Midsummer Night’s Dream (2020): Jeremy Gallardo (Snug), K. T. Vogt (Robin Starveling), Cristofer Jean (Francis Flute), Ensemble. Photo by Jenny Graham, Oregon Shakespeare Festival. Oh dear! I really didn't want my last comments on this COVID-19 affected season to be anything but positive. I had hoped that I would see more plays later in the year that I could sincerely applaud. Unfortunately the virus shut down all but two weeks of the season, and what I saw opening weekend is all that [...]
written by Karen Zacariasdirected by Shariffa Ali Ashland, ORat the Oregon Shakespeare Festival The Copper Children (2020): Ensemble. Photo by Jenny Graham, Oregon Shakespeare Festival. Copper Children has much going for it: an under-told, important story, a talented playwright who entertained and educated us with Destiny of Desire, and an experienced and immensely talented cast. Unfortunately, this world premiere wasted its assets and delivers an evening that is a moralistic plod which fails to create drama or feelings. The play tells the story is of white Catholic orphans from New York who get sent out west for adoption by good [...]
story by Dave Barry and Ridley Pearsonadapted for theater by Rick Elicemusic by Wayne Barkerrdirected by Matt Goodrich Ashland, ORat the Oregon Shakespeare Festival Peter and the Starcatcher (2020): Preston Mead (Boy), Grace Chan Ng (Molly). Photo by Jenny Graham, Oregon Shakespeare Festival. I didn't grow up watching, reading, or otherwise being infused with Peter Pan lore. Sure, I knew that there was a kids' story about him and fairy we clapped for named Tinkerbell. But, when I walked into the theater for Peter and the Starcatcher I didn't remember anything about lost boys, Mrs. Darling, or any plot. My [...]
by William Shakespeareadapted by Rosa Joshi and Kate Wisniewskidirected by Rosa Joshi Ashland, ORat the Oregon Shakespeare Festival Bring Down the House, Part One (no photos yet posted for Part Two)Ensemble. Photo by Jenny Graham, Oregon Shakespeare Festival. Through a scheduling snafu I missed the opening of Bring Down the House, Part I and took up the Henry VI story halfway through. Because co-adapters Rosa Joshi and Kate Wisniewski have done such a good job of curating scenes and speeches, I fell right into the story, despite the potentially confusing rush of characters and battles. I had a fun time [...]
We walked away from the theater disappointed that a witty, entertaining evening ended with the message that straight millennials will couple up in happy marriage while their gay contemporaries are destined to remain single and desperate. As much as I love throwback memories, reliving the experience of watching a negative stereotype of lonely queens wasn't what I expected,... or wanted. The play watches four best friends, three women and one gay man, navigate social life in their late 20's. The four start out spending all their time together and being jaded about traditional dating/family. But, one-by-one the women fall in [...]
Theater Rhinoceros' gender-bending production of Sister Act brings an updated excitement to this early 1990's staged musical that really benefits from the quality, energy, and queer freshness that director AeJay Mitchell's vision delivers in the intimate Gateway Theatre. The Cast of Sister ActPhoto by David Wilson The show is simply a lot of fun. A supremely good 2 1/2 hours of entertainment. The plot is simple and simplistic, and it comes from the hit 1992 Whoopi Goldberg movie of the same name. A gangster's (Curtis played by Crystal Liu) moll (Deloris played by Branden Noel Thomas) runs afoul of the [...]
After trying for a month to moderate my initial reaction to the show, I admit failure. So, I reluctantly tell you, "Run! Turn your tickets back!! Seeing Between Two Knees is a waste." The "play" is a two-act, juvenile, mental-masturbation orgy of insult humor written without wit and performed without inspiration. It feels unedited, unworkshopped, and unrehearsed, OSF protestations to the contrary notwithstanding. About the cleverest thing about Knees is how it inoculated itself against criticism by suggesting that any complaints directed toward it are based on white fragility, insensitivity, or worse. Aside from this self-vaccination against disapproval, there is [...]
World Premiere by Octavio Solis directed by Bill Rauch Mark Murphey (William Joad), Tony Sancho (Martín Jodes)Photo by Jenny Graham, Oregon Shakespeare Festival. My subconscious has delayed my writing comments about Ashland's Mother Road. I saw it opening night in early March, but I haven't felt like it was time to write about the play. Not when I first saw it. Not when I got back home and had a chance to think about it. Not ever. The problem is that I want to construct an enthusiastic collection of comments that matches the applause the audience -- including me -- [...]