“Copper Children”

By |2020-04-05T11:23:50-07:00April 5, 2020|osf, plays|

written by Karen Zacariasdirected by Shariffa Ali Ashland, ORat the Oregon Shakespeare Festival The Copper Children (2020): Ensemble. Photo by Jenny Graham, Oregon Shakespeare Festival. Copper Children has much going for it: an under-told, important story, a talented playwright who entertained and educated us with Destiny of Desire, and an experienced and immensely talented cast. Unfortunately, this world premiere wasted its assets and delivers an evening that is a moralistic plod which fails to create drama or feelings. The play tells the story is of white Catholic orphans from New York who get sent out west for adoption by good [...]

“Between Two Knees”

By |2019-06-08T06:50:23-07:00May 18, 2019|osf, plays|

After trying for a month to moderate my initial reaction to the show, I admit failure. So, I reluctantly tell you, "Run! Turn your tickets back!! Seeing Between Two Knees is a waste." The "play" is a two-act, juvenile, mental-masturbation orgy of insult humor written without wit and performed without inspiration. It feels unedited, unworkshopped, and unrehearsed, OSF protestations to the contrary notwithstanding. About the cleverest thing about Knees is how it inoculated itself against criticism by suggesting that any complaints directed toward it are based on white fragility, insensitivity, or worse. Aside from this self-vaccination against disapproval, there is [...]

“The Way the Mountain Moved” at the Oregon Shakespeare Festival

By |2018-09-26T09:16:04-07:00September 25, 2018|osf, plays|

Ashland, Oregon at the Oregon Shakespeare Festival The Way the Mountain Moved by Idris Goodwin directed by May Adrales Julian Remulla, Maddy Flemming, Sara Bruner, Al Espinosa. Photo by Jenny Graham. This American Revolutions OSF commissioned play earns a star for its attempt at dealing with a complex subject and another for the quality of the acting; there's nothing given for any actual quality of the play. The Way's major faults are glaring: The theme of Bad, Insensitive Interlopers taking over the Native American/wild lands is hammered home without redeeming subtlety. The play is embarrassingly unedited. There are several decent [...]

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