Ashland, Oregon at the Oregon Shakespeare Festival Death and the King’s Horseman by Wole Soyinka The rhythms, the timing, and method of communication in Death and the King’s Horseman are not familiar or comfortable for a typical American play-goer. But, if you let yourself be absorbed into the opening long, chatty, riddling, market scene — if you let your thoughts fall into the same tempo as the indirect, elaborate, and elegant storytelling dialog — then Death will grab you from the opening curtain… err… more like opening colorful banner… and make you witness an unwanted, unavoidable, and unstoppable tragedy. This vignette of [...]

Ashland, Oregon at the Oregon Shakespeare FestivalEquivocation by Bill Cain This world premiere production is stuffed with clever concepts, interesting plots, brilliant acting, spectacular execution, and meaningful messages. It’s an artistic tour de force bursting with importance and complex stories which are determined to cross centuries of time to reflect the current events of 2009 (or, at least George Bush’s 2001-2009 torture-burdened court). But, it is disappointment to have to sit through such an overwrought and under-edited excellent draft play.  I am puzzled why a typical amateur error of piling on content was allowed to progress to a full-blown production on [...]